Category: strategy
-
A Pigouvian Pollution Tax on ChatGPT!
If one had to characterise the state of mind among knowledge and creative workers, musicians included, in 2022, worries about meeting demand for quantity or variety of content would not figure high. Misinformation, provenance, and the difficulties of making a living, yes. Being short a few million blog posts, product reviews, or new music tracks,…
-
Fair Shares, Fair Markets. Can Music Have Both?
The music we listen to on music services has many creators, facilitators, and distributors. Everyone wants to be paid fairly for their work, and get a fair share of any future revenue. But are any of the different types of contributors – artists, songwriters, etc., – treated so unfairly, or do any of them so…
-
Hypercompetition. How Platforms Destroy Markets.
The first rule of platform business success: increase supply as far beyond the market’s ability to sustain the suppliers as possible. It doesn’t really matter how – and many tactics have been tried. It doesn’t matter what it costs either – the prize is worth it. And it seems structural, by which I mean that…
-
Platformed! Music’s New ‘Disempowerment’ Business Model
In his book, Noise, Jacques Attali makes a startling assertion – that music is the vanguard of revolution. Changes, he says, in the relationship between music and the economic and social structures that govern its position and remuneration prefigure fundamental changes in those structures themselves. He’s probably too busy to publish an update, but with…
-
A Truth-Based Alternative to Spotify’s Danceability Index
When Spotify bought Echonest, several years ago, they added a set of skills and knowledge in how computing can be used to analyse music. This field of work is fundamental to recommendation systems. Conventionally researchers had taken one of two approaches; either try to understand how listeners express previous preferences, individually and collectively, and project…
-
The Public Interest in Music
The UK music industry is going through a period of internal arguments, and as sometimes happens some of us are reaching out for an adjudicator, or referee. January 2021 saw the UK’s law makers brought into the ring in a big way. With Members of Parliament it’s always hard to know whether they see themselves…
-
Music’s Dissonant Value Gap
At the time of writing, a Google video search for ‘crushed by the wheels of industry’ delivers as its first result a YouTube upload with the plea, ‘NO COPYRIGHT INFRINGEMENT INTENDED’ from a user which calls itself ‘mrrockwithmebaby’. Try it here: https://www.google.com/search?q=crushed+by+the+wheels+of+industry&num=50&tbm=vid0 Here’s the description in full: NO COPYRIGHT INFRINGEMENT INTENDED. COPYRIGHTS RESERVED BY COPYRIGHT…
-
An Act for the Encouragement of…
The Statute of Anne, enacted in England in 1710, opens with a statement of intent: An Act for the Encouragement of Learning I have argued elsewhere that it succeeded. Whether by the mechanisms intended, essentially the first modern copyright, or by serendipity as some would have it, Learning was Encouraged, universal literacy and scientific advance…
-
Three Conditions for Independent Music to Survive
My biggest mistake was to assume that major labels would not want to buy margin-shrinking and inherently weak independent distribution companies. Since 2015, several ‘insider’ distributors (the kind whose founders and owners sit on trade association boards) have been sold to major labels, or major owned distributors. It’s impossible to understand these acquisitions any way…
-
My Platform, Right or Wrong!
It was an early hero of the United States navy, Stephen Decatur, Jr., who gave the world the dubious chant of nationalist zealots, reportedly in an after dinner toast to, Our country – in her intercourse with foreign nations, may she always be in the right, and always successful, right or wrong. a notion which…